A ‘Dragon House’ star made a video to express his father’s grief


Ten years ago, Abubakar Salim lost his father. That sadness lives in him. A businessman, with a reputation He was raised by a wolf and Dragon HouseThis coming season, he spent several years searching for the right way to get rid of the pain. Video. TV show. Nothing did it justice until they tried to make it into a movie. “If you’re expressing grief in a sincere and honest way, it’s so open and disturbing that you can express it,” she says.

Salim is the CEO and managing director of Surgent Studios, an upcoming software developer Metroidvania game Cancer Issues: Wide. The game, which launches on April 23, follows a young shaman, Zau, who has made a deal with the god of death to resurrect his father to receive three great spirits. His story is an expression of coping with death—though the point is based on a conversation, a common stage for someone who is dealing with death. Removing the buttons, changing the mask – all this is, Salim says, a representative of the madness that people can experience.

Sad games express that feeling in many ways. Platform developer Gris he transforms the sad parts into real ones as his hero quietly walks through a world that uses color and music to express emotions. All That Remains is Edith Finch explores the death of a family by combing through their belongings, along with vignettes dedicated to the bereaved.

Cancer it has its own methods. Throughout the game, Zau takes time to pause and speak his mind. This is the result of Salim and the developers of the game trying to figure out how the character can restore his health. The answer turned out to be real: to create a place where Zau would sit under a tree and light it.

Every creature in the game world is a picture of a journey through that pain. Salim, who grew up playing with his father, remembers what his father used to tell him when he was a child: “When you are born, you are alone, when you die, you are alone.” CancerThe developers put the idea in Woodlands, which means to raise the idea of ​​the question: “Will I be remembered? Will I be forgotten?”

The stories that Salim’s father told him had a strong impact on the game, as well as Bantu culture, which he says was held as a celebration rather than an educational effort. In recent years, games like God of War and Hades has brought a new familiarity to Norse and Greek mythology. Games like Cancer they can do something similar to the culture of southern Africa. “It’s about encouraging people to watch these stories and lean towards these stories,” says Salim.

Although CancerWar has changed over time based on Dambe, the Nigerian boxing brand. Zau switches between masks to change the way he fights – sun and moon masks that represent life and death. In Bantu culture, Salim explains that the two complement each other. “That’s where the inspiration for these two masks came from,” he says. The sun’s shell is warm, flame-rich in nature, while the moon’s shell has a more transparent appearance. Both masks are beautiful and filled with energy, which is in line with how other cultures treat death. “especially in African cultures, [death] almost celebrated in a way,” he says. “I’m going to a new one.”


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