Blackmagic Cinema Camera 6K Review: Finally a Full Frame

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Few camera manufacturers they can represent Blackmagic’s position when it comes to capturing high-quality video on a mirrorless camera. The Pocket Cinema Camera 6K Pro (aka PCC6K Pro) I was impressed when I reviewed it a few years ago, but in a new way for the company Cinema Camera 6K you have reached the top. With a full-frame sensor, a new L mount, and a similar price tag of $2,600, I’m turning my head again.

The Cinema 6K camera is very similar to its predecessor, with the same battery life (about an hour on a single 3,500-mAh battery), and it retains some smart controls compared to what you’ll find on most professional cameras. It doesn’t have the neutral filter that I like in the PCC6K Pro, but this new one is worth the trade-off.

Full Sensor Information

The main upgrade of the Cinema Camera 6K is very important to put on the front of the casing: a full-frame, 36 x 24-millimeter sensor. Compared to the Super 35-mm sensor on previous models—which, despite its name, measures 23 x 13 mm—the new model’s sensor is a big upgrade.

Complete sensors the size is 35-mm film. A notable advantage of this is that there is no cropping when using multiple lenses. Reduced sensors come a small viewing area, meaning you can fit a smaller image into the frame compared to a camera with a frame sensor. In short, you need to be farther away, use shorter lenses, or both to get the same image. This can often come down to factors such as shallow field or poor performance.

Putting a full sensor inside one of the Blackmagic cameras is probably the best solution I could have asked for. I usually shoot videos in my house, and it’s hard to get pictures that look good because there isn’t enough space to get what I want. For example, below are two photos taken with a 50-mm lens, the first is the PCC6K Pro and the second is the new Cinema Camera 6K; I stood in the same spot in my small living room. A full-frame sensor can record very much more about my place of residence. For some people like me who often shoot in limited spaces, this is not a fantasy.

This new model is as easy to use as other Blackmagic video cameras. It may be bulky, but its chassis feels good even if you’re holding it with one or two hands. Autofocus is good; there’s no tracking autofocus or in-body image stabilization (IBIS), but with the focus button near the left thumbstick, I found it easy to aim at my head. The whole thing can be heavy, especially if you use it with Blackmagic’s select the battery gripbut this is still my favorite camera for everything from studio to shooting.

Low-Light Performance

With a larger sensor comes larger pixels that can capture more light. Compared to the sensor on the previous 6K Pro, the full-frame sensor has three times the area, but the same 6K resolution. This means that each pixel is capturing approximately three times as much light as any other pixel in the image.

The result is that the new Cinema Camera 6K performs even better in low light than its predecessor. Here are two images, one with the previous 6K Pro, and one with the new Cinema Camera 6K. Both cameras were set to ISO of 400, at ƒ/3 aperture, and 1/30 shutter speed. They were also captured in the same location, although I cropped the full-frame image to the same area as the 6K Pro.

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